|
|
CAPRI : |
Many
studiouses make the name “Capri” deriving from “Kapros”
(wild boar), in consideration of the greek colonization of the isle. The
erudites of the XVIII centhury
thought it could rise from the phoenician word “Caprain” (“two
cities”), also mentioned by Suetonius in his book “Geographia”.
Today, the consolidated opinion is that its origin is thyrrenic and latin,
that is from “Caprae” (“goats”). Many thyrrenic isles, in fact,
have a similar denomination as Capraia, Capraria, Caprera. |
|
This
level tract was in every time the crossing point of the ways of access
wheter from high or low, and it shaped as a “rustic yard” after the
year one thousand, when began to rise the first inhabited nuclei between
the zones of “Li Curti” and “Longano”, where the covered accesses,
leaning against the raisings of the greek walls, constituted the first
defense rampants to the poor and modestes houses, together with the
continuous wall that closed the space facing west between Arcucci Palace (today
Cerio) and the present bell–tower almost blended with the drawbridged
door. The second half of the seventeenth century marked the transformation
limit of the Square that from possible market place, as every similar
medieval towns, assumed the face of “religious space”, that’s when
it was rebuilt the S. Stefano cathedral and it was erected the episcopal
Palace (today the City Hall) that, L-shaped, has given it the present
look. On the suppression of the Bishop’s house, on the demolition of the
wall that was closing it, and on the arrival of the first tourists, it
recovered, in the second half of the nineteenth century, its so called
“profane” character with the opening
of some handicraft shops and of a bookshop. After the latest war
and the following touristic “boom”, the Square became the preminent
“exclusive” meeting point. The english writer Norman Douglas called it
the “theatre of the world” because of the cosmopolitan crowd of
tourists that stop in and throng it. |
|
From
the medieval door in the Square, to the main road Marina Grande. That’s
the oldest way of access to the built-up area of Capri, and it’s also
the first tract that the procession of the patron saint of the isle covers
when every year, on his festivity on may 14th, he’s led to
the original church S. Costanzo a Marina Grande. It takes that name in
consequence of a spring which flew from the live rock. Anciently it fed
the tanks of a roman thermal resort, but until the Forties it was a source
of water supply to the people of Capri town. |
|
From
the Quisisana Hotel to via Tragara. So were called the about forty roman
tanks that, following one another, served as terrace to the street which
conducted to the imperial villa of Tragara, whose waters provided the
villa and the port below. The classic barrel stone vaults are the
principal characteristic of this building. In the middle age they were
progressively opened on the frontage of the present street and were
utilized as various storehouses. Today they have been turned in elegant
shops.
|
|
From via Padre Reginaldo Giuliani to via Matermania. “Cercula” is the dialectal voice for “oak”, already present in her different species on the isle since the earliest times and that, together with the pines, form the verdant woods which mantle the hilly zones of the isle. |
|
“Cesine”
were called the hilly extents where abounded the coppiced trees,
“cedui”, that’s from “cut” (from Latin cesum=cut), from whom the localities “Cesa” and “Ceselle” in
Anacapri too. |
|
From via Matermania to Piazzetta delle Noci. It treads, in part, the old path conducting to Matermania and Fico creeks. It comes from the dialectal voice “Dint’e cale”=in the creeks. |
|
The
only connection to Anacapri until 1876 when the first carriage road was
built. Its XVIII century learned toponym ascribes its costruction to the
Phoenicians. It is, instead, the greatest monument dating back to the
Hellenistic age. Its Greek roots show in its highest portion where the
steps are carved into the rocks like Greeks used to do in the rocky
islands of the Egean sea to link their inacessible acropolis to their navy. |
|
The end of Via Le Botteghe used to mark, during the middle age, also that of the built-up area. The toponym “Fuor-lo-vado”, which means “Out-I-go” comes from the fact that to leave the town it was neccessary to pass through the door underneath the arch which still stands where the road begins. |
|
From Via Le Botteghe it leads to Via Listrieri, in the area once called “limekiln”. The toponym has its roots in the medieval latin word “curtis” (court) and it recalls the town typical houses with curtyards and gardens. |
|
From
S.Ann Church all the way to via Longano. The toponym comes from the
Indo-European root “strei”
which means narrow, thus “streieri” being a narrow passage. In
fact, both via Li Curti and Parroco Canale, just as narrow as Listireie,
converge in this tiny road. |
|
Departing
from the Piazza it leads to Sopramonte. The toponym derives from the Greek
word “longones” which means “stones to build citywalls”. In fact
the road stands over the edge of the first portion of the ancient Greek
citywalls and it runs along it. A legend tells us that these citywalls
were built around the VIII century by the Teleboi, led by their king
Telone and coming from the Acarnaia region. |
|
From
via Acquaviva to via Roma. It
used to lead to the
"Casa Palaziata", a XIV century building which have been
property of English Sir Nathaniel Thorold during the XVIII century. It
used to be the residence to king Ferdinando the IV of Borbone when he
would come to Capri during the quail hunting season. |
|
From
Via Lo Palazzo all the way to Via Fenicia. It crosses Capri’s country in
the island north side. The homonymous spring water were once piped into
the wide Roman reservoirs(cellae) still standing in via Cogliano. They are
interconnected, thus forming a unique, huge vintage of water which
doesn’t differ much from the sea. The Toponym comes from the latin word
“maris-cellae”. |
|
Via
Sopramonte prosecution, it leads to the homonymous cave, turned into a
“ninfeo”(small temple consecrated to the nymphs) by Tiberio and then dedicated to Cibele, Romans’ Mater
Magna. Some experts asserts that the toponym comes, instead, from the word
“Mitromania” thus related to Mitra’s cult performed in the same cave
later on |
|
From
via Roma to Marina Piccola. Its
name comes from the popularization of the dialectal word “muolo” (pier).
In fact the road used to lead to the ancient Roman harbour, whose remains
still stand close to the mermaid rock. |
|
(*)
Queste note sono tratte dal
volume "I Nomi di Capri" di Salvatore Borà. |
|
© 2000 Digital Sparks Srl • Powered by Entryweb